OpenRailer90 wrote:^Skipping is avoidable of you noticed the way emd645e3 (milwaukeenorth418 on YouTube) makes his horns. The horn loop sound also contains the horn start sound and is a minute or longer in length.
BNSFdude wrote:It has to do with desync. It's a known issue that I've had issues with fixing because of the audio sounding bad when I try to force the different files in sync. There are two bell sounds, one distant, one near, it's just a matter of getting the files to sound good together. I'll try to patch it while I change up how horns work so you don't get skipping between start and loop.
BNSFdude wrote:OpenRailer90 wrote:^Skipping is avoidable of you noticed the way emd645e3 (milwaukeenorth418 on YouTube) makes his horns. The horn loop sound also contains the horn start sound and is a minute or longer in length.
I know how to do audio. I've done this professionally in different games for years. But thanks for you wisdom on how I've been doing horns since the update. Except I don't need to make my files a minute long because I know how to loop them in game.
BNSFdude wrote:Dude makes his "innocent comments" telling people what to do in almost every thread. Just ask Mike Kam. It gets really old hearing tycoonkids infinite wisdom everywhere.
The flange sounds and such were provided to me from our Stock recordings that Oovee has gathered throughout the years. If you have seen the new Dash 9 sound preview, you would know it's been changed out for a much improved recording.
GSkid wrote:Well I have some questions for the sound guys here.....
Krellnut used 10 different and unique locomotive samples in both his ES44 & SD70 10-packs. Not only does this make for 10 unique sounding locos, it completely avoids sound aliasing (described on these forums as that "jet swoosh" sound..... or kinda the guitar effects pedal equivalent of a slow sweeping flanger or phaser).
My question is...
It won't make for a truly unique sounding loco.....but....Will taking the same locomotive sample and pitch (frequency) shifting it slightly up or down at least keep it from aliasing with another loco assigned a different pitched sample?
If so... how many hertz difference is ideal? I'd imagine you'd have to mix some semi-tone shifted sample locos in with some whole-tone shifted sample locos to create dissonance among them to at least give the illusion of some uniqueness to each of them.
What do ya guys think?![]()
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